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␈β↓␈↓ ↓H␈¬∂S␈¬α␈↓ ↓H
␈β↓P␈↓ ↓H␈↓ ¬	STANFORD UNIVERSITY␈↓ ↓H
␈¬β␈↓ ¬_STANFORD, CALIFORNIA 94305␈↓ ↓H
␈¬∧␈↓ ↓H
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CENTER FOR COMPUTER RESEARCH IN MUSIC AND ACOUSTICS␈↓ 
+    Telephone:␈↓ ↓H
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+(415) 497-4971␈↓ ↓H
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␈¬α␈↓ ↓H
April 30, 1980␈↓ ↓H
For Immediate Release␈↓ ↓H
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␈↓ αHAn␈α→exhibit␈α→of␈α→computer␈α_assisted␈α_and␈α_computer␈α_inspired␈α_prints␈α_by␈↓ ↓H
␈↓ ↓HEdith␈α∀Smith␈α∀will␈α∀be␈α∀held␈α∀at␈α∀CCRMA,␈α∀the␈α∀Center␈α∀for␈α∪Computer␈α∪Research␈α∪in␈↓ ↓H
␈↓ ↓HMusic␈α∀and␈α∀Acoustics␈α∀at␈α∀Stanford␈α∀University,␈α∀May␈α∀14␈α∀through␈α∀June␈α∪6.␈α∪The␈↓ ↓H
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␈↓ ↓Hcomputer-generated␈α"etchings␈α"utilize␈α"edge-finding␈α"programs␈α!and␈α!digital␈↓ ↓H
␈↓ ↓Hdistortions␈α_of␈α_computer-directed␈α_video␈α↔imagery␈α↔translated␈α↔into␈α↔fine␈α↔prints␈↓ ↓H
␈↓ ↓Hthrough␈α_photo␈α_sensitive␈α_etching␈α↔processes.␈α↔The␈α↔computer␈α↔environment␈α↔is␈↓ ↓H
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␈↓ ↓Hprocess.␈α⊂A␈α⊂series␈α⊂of␈α⊂monotype␈α⊂images␈α⊂complete␈α⊂the␈α⊂exhibit.␈↓ ↓H
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␈↓ αHEdith␈α∩Smith␈α∩is␈α∩a␈α∩Palo␈α∩Alto␈α∩painter␈α∩and␈α∩printmaker␈α∩who␈α∩has␈α∩exhibited␈↓ ↓H
␈↓ ↓Hlocally␈α∪at␈α∪the␈α∪San␈α∪Francisco␈α∪Museum␈α∪of␈α∪Modern␈α∪Art,␈α∪the␈α∩Palo␈α∩Alto␈α∩Cultural␈↓ ↓H
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␈↓ ↓HBrussels␈α∪at␈α∪the␈α∩Galerie␈α∩Dautzenberg.␈α∩She␈α∩is␈α∩an␈α∩instructor␈α∩of␈α∩printmaking␈α∩at␈↓ ↓H
␈↓ ↓HFoothill␈α∀College,␈α∀Los␈α∀Altos␈α∀Hills.␈α∀The␈α∀show␈α∀will␈α∪be␈α∪on␈α∪display␈α∪from␈α∪10␈α∪A.M.␈↓ ↓H
␈↓ ↓Huntil␈α_5␈α_P.M.,␈α_Monday␈α_through␈α_Friday.␈α_The␈α_Stanford␈α_Center␈α_for␈α↔Computer␈↓ ↓H
␈↓ ↓HResearch␈α_in␈α_Music␈α_and␈α_Acoustics␈α_is␈α_located␈α_at␈α_1600␈α_Arastradero␈α↔Road,␈↓ ↓H
␈↓ ↓HPalo␈α⊂Alto.␈↓ ↓H
␈↓ ↓H␈↓ ↓H
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␈↓ αL----- The exhibit has been extended through June 20. -----␈↓ ↓H